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Dur et Doux

Furvent

by Le Grand Sbam

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harold_the_pigeon
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harold_the_pigeon The most unique, mesmerizing and soul-catching contemporary chamber ensemble I know. This Sbam is truly Grand! Favorite track: Nephèsh.
goodguyry
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goodguyry What an achievement! I was hooked from the first note, and haven't been able to unhook. An instance classic. Favorite track: La trace.
ROWIAL
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ROWIAL WOW! Their real breakthrough; their latest at least. Now PoiL, strong backbone of Le Grand Sbam, succeeded in creating new & accomplished(!) music. I.m.o. this is a new kind of 3rd stream, replacing inputs of jazz by those of neo-zeuhl & -r.i.o.; 2 genres fused in a fresh manner by PoiL yrs ago. But its dynamic & well organized "meta"-fusion with modern percussive chamber music, dominated by 2 female voices with incredible variability was unheared so far and is totally stunning.
sentiszimantikobionentoszmiint
sentiszimantikobionentoszmiint thumbnail
sentiszimantikobionentoszmiint I have listened to this track 20 times in a row and I'm completely obsessed with it Favorite track: Choon Choon.
Jacampanman
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Jacampanman 21st Century Schizoid Sbam!
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    Double LP, gatefold made in Germany by Pallas Group.

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  • Compact Disc (CD) + Digital Album

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    Purchasable with gift card

      €12 EUR or more 

     

  • Record/Vinyl + Digital Album

    Includes unlimited streaming of Furvent via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 10 days
    Purchasable with gift card

      €25 EUR or more 

     

1.
La trace 18:45 video
2.
Nephèsh 05:14 video
3.
Fou dri sé sé dzeu Fé ssé chou sur sur dur sur bulle bulle cul cul coul moul coul - chouf froi choufi chouf froi chô cho cho cho fo cho fo cho fo vol ta dji fou dé si fac Lov cha djou dri yé cal ci Dé chi ra tuurrr ciel obs cu vol té Laï t(e)nn i/é/è/a Cla bousse touf bouss touf ïn skaï - clabouss fouï souï faï saïd burn burn burn Out out out burn them all bour sou aï nn n(i)m nn nu a ja sen si bi si bi li bi li bi li zé zè zet Fa tcho fou chi é lec trou ouï yé a
4.
Sou Flan di amo ri a ré o li yèn a é ré o l (i)nn(n) vo la ti a Chway chway yé o é ri jé rec tu souï lao ouii chou a yé tou ba tou dou pé né trou é ra fa la va lïn terr rri o zi a len verrr ïn te rrr yo zi mi stral ll fri gal hahahaha ha gi fla grip sou fli blas tou si flo ven té o val oval oval ra fa li to nu tri yè yè tio nio tiè nio éo lié la lié né pa rou a si o né la o tchou tseua tseua sou fli fan flu ti na go lé tou ban lu la baï flaï é oll.
5.
Aaaa Oooo dio a bra zié brü cré pi sfi dé cré sfi dé cru té xia dé pu fa sa sè xié sa se xié xié sfi xié sfi fé sié sié sié pa cru fla mi cen di chouf cen di chouf cen di chouf car ba nus car bo ni cho dé mich oui mé cho du kuch fla mi cen di chouf cen di chouf cen di chouf car ba nus car bo ni cho dé mich oui mé cho du kuchfla mi cen di chouf cen di chouf cen di chouf car ba nus car bo ni cho dé mich oui mé cho du kuch kuch kuch kuch kuch l(è)ch(a)m(è)ch (a)ll(u)m (i)n t(è)ra - l(è)ch(a)m(è)ch l(u)m (i)n (è)r zz ta l(è)ch(a)m(è)ch (a)ll(u)m (i)n t(è)ra -l(è)ch(a)m(è)ch l(u)m (i)n (è)r zz ta l(è)ch(a)m(è)ch (a)ll(u)m (i)n t(è)ra l(è)ch(a)m(è)ch l(u)m (i)n (è)r zz ta L(u)m zé bré zé bri zé lé brèz bi zé ba lèz bri za lè zo zo bo zé zo bi zé ba li zé bi zu bi zu bi zu zu bi da zu bi da bi za ri va zy va bi zé la lou - dou
6.
Sa séismoticuléno - sa sais mo ti cu blow hi hi Fou hi fou put put yes - sey sey Ouiiii iou oui ko la Té ri bla sto neur é lé tri ké bi si né pa té dan fon - té ri bla sto neur é lék tri ké né clo pi tré tan ré lé ba Ta to xion sion clé ti ta to xion sion clé ti ta to xion sion cléti - Pou ri ler xi fi cru ci nu èr pès pou ri ler xi fi cru ci nu èr pès pu bri a mèr si - férulon culer mèr si Té ri o ré o so li en fan té sé man gra nu lo vu en vi Dé ter i non dé tri tu pou dré mou sé man to li ken i sec ta la lou na - sou la lou na A Kui kuikui kuikuit kuit kuit kuit fuit fuit fuit kuit kuit koït koït koït koït koït koït koït koït koït al koït koït al koït koït al koï koï tal koï tal koï tal ka kola
7.
Sus sus sus fla ké té dan si né jou an jou i sé la ké si bo neur trou bla dou ri an cha tou i yé poi ssi ka ï é i ri sé ga lé ri co chi ne la bo té en jou a ri ki ri yé cor en jou sus ou dans lo fla né é pa nou é neu vou zo si dou cé flo ti yé on di né cou li mou li pé da lo mou yé Sus ou dans lo jou cla bouï trou bli yo cor jou keur joui koït O lim pi dou sa lan gui dé ton cor joui keur jou a ssa zié ron dïn sé tan gran di ssan bon di mi lieu ou ver té bar pu in fi ni ti sé con cen tri tri con sen sus pa bon dé do salé io dé flo té la mi la ken tra yé dou son dé la mi la ken tra yé douis jouis doui jouis u té ri kti jouis doui tou yé frai chi sa a ju té rik ti jouis doui tou yé frai chi sa jou a i né
8.
Kali kali ka li li li - ka ka ka i la la la - i ki ki ki ki la - ki la laki ki ki la - ki la la ki ki la kou lo ka da ki la (ou)m kou kou lias kou lias dou lias kou dou lias kou dou lias dou kou lias dou kou lias kou duo kou duo loi loi loi loi oïl oïl ra solo o (ï)l ra ra io li o oïoï i men sé i men sé i mi nen sé i mi nen sé i ma né sen i ma né sen nai ssan sé mi nen nai ssan sé mi nen dé ssi né mi nen san dé si né mi nen san é va né sen gui né va né san gui né é va né san gui nè rem pli ra bo réal am bi kui té lu ri skaï ra skaï ra skaï ra mm goa ras kaï glo ri doum doum tou go tou go tou go doum tou go doum tou ga té ka ya té a dji mé rra ra dja ga ya rra ta ma rra ta ma rra Oïl oil lé ni ao lé ni a o lé ni a u ni ka li cré a to mi kla ssi yo plu si è li coï ma tè-l kté mi o di vi na ti o mis té rieu zé fir ma men fan cou ché ru bi ma gi - uni ka li cré a to mi klassi yo plu si è li coï ma tèrr nel voi la cré o lé di vi na ti o mis té ri eu zé ma men fan cou ché ru ma gi
9.
Plou o na mi plou o nami plou ou/o/a/é/a/o a plu i ni mé a plu i ni mé a mu i ni i/é/a/é a - eso té ran fi llon ra mi fi sti gma lé go ri ska yo dé la li cor en dia blo di ca la ché ni ko ma ban do li ni co na spi yé ou bli yeu con fi den te lui sé toi lac to fer men ti ra jo ni san su san su sper mi ci tro nei dja ko la bor bo réa li té ma ské tou fé ro mo na ca lé j(è)rr s(u)rr pui ssan froi de fon ta nè cro zi zo to fou décompo sta gi ta ni ma culé ri ta ji né nu fakir fak kist sok pès tif fis kaï bis ko fak fak ko ko jiéa blblblblbl blbl blblbl blblbl blblbl blblbl blblbl blblbl blblbl blblbl kadasfixié sinap nébouchétif om ni si en so cu sian so cul ti mi ra gé ni ta len fon sa bli mi nal uh uh uh uh uh cha li ko chan pi ni on mann bu èh
10.
ta ké té ta ké té na ton mou o a guou on an a è i ss fou djj mé djj fou y m koï goï goï tao tseu lip ao loi sot ï stop stop coul mi na ti o ïm pé ria al ma jes ti mo be lu ni ve r
11.
Choon Choon 04:39

about

"Music is like the wind, it never stops. We are the ones who stop listening". Alain Damasio

The Grand Sbam, a bastard music ensemble, embarks with Furvent on a new journey in octet, to meet the wind and the natural elements, inspired by A. Damasio's novel: The horde of the counterwind and by the symbolism of the Yi King (I Ching).

Carved in the continuous flow of sound, the music of the ensemble is a de-fluence, a circumvention, an inflection of air and time. An impetuous flow of sound defying musical boundaries. Nowhere between rock, contemporary music, ancient music, jazz, electroacoustics, it draws sharp lines and curves on the back of our disintegrating present. It plunges the listener into a familiar universe with an unpredictable future, caresses him like a soft zephyr and propels him straight into the eye of a cyclone.
Powerful and delicate, virtuoso and sensitive, Furvent's music, composed for four hands by Guilhem Meier and Antoine Arnera, is nourished by contrast, developing a furious madness charged with symbols and poetry. It explores the multiple and hybrid possibilities of a singular instrumental ensemble with generous tones, mixing electric and acoustic sounds.

Singing is omnipresent, oscillating between solos, duets, choirs, in polyphonies, monodies and counterpoints, made up of onomatopoeia, invented words and French sometimes distorted or compressed in order to shift the meaning in the sounds and to infuse the speech with strange and musical colors, de type " soufli blastou sifloventéoval rafali tonutriyè tiotiènio éolié laliéné ", ou encore " chu yu yu you yo ya wa ya kin, dwendet dwen det ". This broad use of the voice is wrapped in an avalanche of acoustic and electric sounds, with the presence of rare instruments such as the Mellotron, ancestor of the sampler, or the Cymbalum, ancestor of the piano. Synthesized, Bass, Piano, Rhodes, Semi-electric Drums, Marimba and percussions collide and implode, generating a cosmic Blast, which is also called Grand Sbam.

credits

released December 11, 2020

Antoine Arnera | Piano, electronics, voice, composition
Boris Cassone I Bass, mellotron, voice
Jessica Martin Maresco I Voice
Guilhem Meier | Drums, amplified percussion, voice, composition
Marie Nachury I Voice
Grégoire Ternois I Marimba, toms, dun dun bells, gong
Mihaï Trestian I Cimbalom
Anne Quillier I moog, rhodes, voice

Hervé Faivre | Recording at Improve Tone studio
R3my Boy I Mix and mastering
Clément Dupuis | Executive production
Adrien Arnera & Perrine Callens | Administration
Thomas Brunol I Catering
Lilas Mala | Artwork

Le Grand Sbam thanks : Dur et Doux, l’Abeille Beugle, la Renaissance, Florence Meier, Aurélia Meier, Nicolas Wiplier.

This album is inspired by Alain Damasio. It is dedicated to Loum & Vega. Choon Choon is dedicated to Kamille & Agnès.

Financial support: Région Auvergne Rhône-Alpes, SCPP, FCM

All music and arrangements by Antoine Arnera & Guilhem Meier

© & ℗ 2020 Dur et Doux - DD-039
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Le Grand Sbam Lyon, France

Le Grand Sbam is a collective of creation, research and musical experimentation that defends living music in all its richness, complexity and universality.

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